- THE DIGITAL DEN
- Posts
- The Digital Den #71
The Digital Den #71


In an ongoing feud that seems to have no end, Cardi B is once again trolling JT after the latter's latest diss track, "Keep Coming." Following JT's previous dis tracks, Cardi took to Twitter, dismissing the latest lyrical assault as "wayyyyy too easy," while simultaneously promoting her own track, "Magnet.
" The rivalry escalates as Cardi’s sharp responses indicate she's more amused than offended, calling out JT’s subliminal shots. Amid the chaos, Cardi also accused JT of trying to recruit Pardison Fontaine for her writing team, raising eyebrows and igniting speculation about their competitive dynamics.
Are these two artists just playing a game of lyrical chess, or is there genuine animosity beneath the surface? Either way, fans are left to savor the drama, questioning whether reconciliation is even on the table. It seems the only thing guaranteed in this saga is a steady stream of diss tracks and snarky social media posts.

Kendrick Lamar's "Grand National" tour should have put him in the spotlight, but instead has unveiled a circus of controversy, particularly striking fans in South America. While the Argentina show dazzled attendees with electrifying performances—eclipsing the chatter of Drake stans and ticket conspiracies—his canceled Bogotá concert left disgruntled fans fuming and questioning Lamar’s commitment.
Reports of structural and security issues plagued the Bogotá venue, raising eyebrows about the tour's management. Yet fans in Argentina didn't seem to care, basking in the moment while the underlying chaos brewed just next door.
With upcoming Grammy considerations on the horizon, will Kendrick’s accolades wash over these blunders, or will the tarnished image affect future tours? As he gears up for another show in Chile, the stakes are high.


Suge Knight didn’t hold back while criticizing Diddy’s lenient 50-month prison sentence during a recent jailhouse interview. Claiming that Diddy effectively orchestrated a "publicity campaign" to sway the court, Knight slammed the Bad Boy mogul for his apparent ability to communicate with the judiciary, contrasting it with his own experience where he was silenced.
"Diddy got the deal of the century," he sneered, implying that a lesser-known individual would have faced far harsher consequences for similar offenses. Knight mused sarcastically about Diddy potentially turning his sentencing into a performance akin to a presidential campaign, complete with videos and dancing.
This bombastic tirade raises eyebrows about the equity of the justice system, where wealth and influence appear to tilt the scales significantly in favor of the elite.

In a shocking twist, Gucci Mane has broken his silence on Pooh Shiesty’s early prison release, and the music scene is buzzing with mixed emotions. Released after just three years of a 63-month sentence, Shiesty's homecoming was met with champagne and cash, raising eyebrows about the justice system's leniency towards celebrities.
As Gucci celebrated on Instagram, labeling Shiesty as "The MainSlime," many are questioning the message this sends: is the glorification of a convicted felon a sign of our culture's moral decline? With a past marred by violence and robbery, Shiesty's return feels like a slap in the face to those advocating real accountability. His lawyer's jubilant statement about beginning a “second act” is a dangerous narrative, potentially glamorizing a reckless lifestyle.

BuzzFeed's recent ranking of the "Best Black Cartoon Characters of All Time" raises eyebrows with its seemingly arbitrary selections and glaring omissions. While characters like Huey Freeman and Frozone are rightfully celebrated, the list also includes head-scratchers like Piccolo from Dragon Ball Z—an alien, no less, who somehow resonates with the Black community in ways that defy logic.
The piece panders to nostalgia while sidelining vital figures, sparking debates about who gets to represent Black culture in animation. By mixing iconic characters with questionable choices, the article risks diluting the celebration of true representation.

Gif by eonline on Giphy

In a fierce escalation of rap rivalries, JT has taken the gloves off with her brutal diss track aimed squarely at Cardi B, following the latter's fiery bars on her album, Am I The Drama?. Cardi didn't hold back, targeting both JT and Lil Uzi Vert, leading to JT's venomous retort released live via DJ Akademiks.
In her track, she slams Cardi not just for her music but also for her appearance and relationships, boldly declaring her "ugly and pathetic." Cardi’s response? A dismissive "too easy, LMAOO" on social media, proving she’s unshaken—or is she just playing it cool to mask her discomfort? Even Nicki Minaj weighed in, poking fun at Cardi, exacerbating the already ugly tension between these female rappers.
This beef isn't just about the bars; it's a spectacle where personal attacks and public humiliation take center stage.

Killer Mike has finally addressed Travis Scott's latest subliminal diss aimed at him, which aired during a revamped version of "Mo City Flexologist." Travis seems rattled after Killer Mike snagged a Grammy for Best Rap Album in 2024, leaving many fans questioning if he can really battle on that level.
Mike’s response, delivered on Shannon Sharpe’s podcast, is a masterclass in dismissiveness. He gave a nod to Scott but made it clear that while he finds Travis entertaining, he’s not here for games—he’s an MC focused on winning.
"I still got my Grammys," Killer Mike declared unapologetically, relishing his accolades despite the younger audience's preference for Travis's commercial appeal. This verbal sparring reveals the stark divide in hip-hop: critical acclaim versus mainstream success.

In a bold public endorsement, Charleston White has thrown his support behind Nicki Minaj in her ongoing feud with Cardi B, reigniting the longstanding debate about the dynamics of female rap. White, known for his incendiary opinions, asserts that Cardi's rise involved compromising actions that Nicki managed to avoid.
He provocatively claims that Cardi B’s ascent to fame relied on sexual relationships, while Minaj, the "Queen of the Barbz," relied solely on her talent. This unfiltered commentary doesn't just defend Nicki; it undermines Cardi's credibility, even questioning her Afro-Latina identity.
White’s unapologetic stance plays to the cultural tensions surrounding female empowerment and loyalty in the hip-hop community, suggesting a stark divide among fans. While some might believe this calls for a shift in support for women rappers, White's remarks contribute to the toxic atmosphere of jealousy and rivalry that has plagued these artists for nearly a decade.

Ghostface Killah has decided to postpone his much-anticipated “Supreme Clientele Sessions” tour, citing the current government shutdown as the culprit—because apparently, the government's incompetence should dictate his fan's plans. The Wu-Tang legend took to Instagram to express his disappointment, insisting he won’t deliver anything less than perfect vibes for his audience.
But is that really the reason? Just days prior, his son, Infinite Coles, publicly revealed the family's explosive rift, claiming Ghostface distanced himself due to Coles's sexual orientation. Could the tour's cancellation be a strategic move to cover up the family drama rather than just a political issue? Fans are left hanging, their tickets useless for now, as Ghostface promises a "worth the wait" experience.
With so many questions lingering, it's hard not to wonder if the artist is using the government as a convenient scapegoat to sidestep criticism of his parenting—or his priorities.

In a shocking turn of events, 50 Cent, a notorious troll in the music industry, has found himself praising none other than Taylor Swift after she directly referenced him in her album "The Life Of A Showgirl." Swift's shoutout in "Ruin The Friendship" isn't just a casual nod; it’s an audacious play that positions her as one of the most self-aware artists in the game.
50, usually too busy mockingly tormenting rivals, took to Instagram to flaunt his newfound fame, exclaiming how he’s the only celeb honored on the entire album, while taking cheeky jabs at other artists clamoring for attention. While some hailed Swift’s creative prowess, others might question whether this unexpected alliance marks a dire signal for hip-hop, a genre often dismissive of pop crossover.
Is this just a strategic move to bridge fans, or is it a desperate bid for relevance by both? Whatever the case, the music world is buzzing, and not everyone’s happy.